Rembrandt

Painter as Printmaker

Rembrandt van Rijn, Self-Portrait Leaning on a Stone Sill, 1639. Etching, with touches of drypoint; 8.07 x 6.45 in. Bibliothèque nationale de France, Department of Prints and Photography.

Rembrandt van Rijn, Christ Preaching - The Hundred Guilder Print, about 1648. Etching, engraving and drypoint; 10.94 x 15.27 in. Bibliothèque nationale de France. Image courtesy of BnF.

Rembrandt van Rijn, Head of an Old Man in a Cap, around 1630. Oil paint on panel; 9.56 x 8 in. Agnes Etherington Art Centre, Queen’s University, Kingston, Canada: Gift of Alfred and Isabel Bader, 2003. Image courtesy of Agnes Etherington Art Centre.

Rembrandt van Rijn, Christ Crucified Between the Two Thieves: 'The Three Crosses,' about 1653. Drypoint, state 2; 15.15 x 17.72 in. Bibliothèque nationale de France, Department of Prints and Photography

Rembrandt van Rijn, Self-Portrait in a Cap, Wide-Eyed and Open-Mouthed, about 1630. Etching and drypoint; 2.09 x 1.81 in. Bibliothèque nationale de France, Department of Prints and Photography.

For Members

Entry to Rembrandt: Painter as Printmaker is free for members (included in general admission). Not yet a member? Join today.

Rembrandt: Painter as Printmaker is organized by the Denver Art Museum with the exceptional collaboration of the Bibliothèque nationale de France.

It is presented by Bank of America with generous funding also provided by the Samuel H. Kress Foundation, Robert and Carolyn Barnett, the Netherland-America Foundation, the donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by 5280 Magazine, CBS4, Comcast Spotlight, and The Denver Post.