Portrait of a Lady

Portrait of a Lady

about 1793

Sir Thomas Lawrence, Portrait of a Lady, early 1790s. Oil paint on paper mounted on canvas; 30 × 25 in. (76.2 × 63.5 cm). Denver Art Museum: Gift of the Berger Collection Educational Trust, 2019.15

This object is currently on view

Painted when Lawrence was in his early twenties, around the time he was named painter to George III, Portrait of a Lady displays the naturalism and freshness that distinguished him from his peers and made him the most sought-after portrait painter in Europe. The sitter is unknown, though she was once thought to be Lady Cecil Hamilton, a member of a long-established Scottish noble family. Lawrence records the features of her face with dazzling precision while her hair and dress are loosely brushed and the background formed of a dusky halo of zig-zag strokes. The sketchy quality of the picture suggests that Lawrence may have intended it as a preparation for a more finished portrait, which has yet to come to light. 
 

Artist
Thomas Lawrence, English, 1769-1830
Born: Bristol, England
Object
painting
Medium
Oil paint on paper mounted on canvas
Dimensions
image height: 30 in, 76.2000 cm; image width: 25 in, 63.5000 cm; frame height: 43 1/8 in, 109.5375 cm; frame width: 38 1/2 in, 97.79 cm; frame depth: 3 1/2 in, 8.89 cm
Credit Line
Gift of the Berger Collection Educational Trust
Department
European and American Art Before 1900
Collection
European Painting and Sculpture before 1900
Accession Number
2019.15
Known Provenance
Lady Margaret Beaumont (1756–1829); given by her to the Miss Copleys, May 13, 1827 (according to an inscription on the reverse of the original canvas); the Groult Collection, Paris, by 1905; by descent in the family of M. and Mme. Camille Groult, Paris; from whom acquired by Derek Johns Ltd., London, 1998; from which acquired by William M. B. Berger and Bernadette Johnson Berger, Denver, 1998; Berger Collection Educational Trust; gifted to the Denver Art Museum, 2019. Provenance research is on-going at the Denver Art Museum and we will post information as it becomes available. Please e-mail provenance@denverartmuseum.org, if you have questions, or if you have additional information to share with us.
Exhibition History
  • “Treasures from the Berger Collection: British Paintings 1400-2000” — Denver Art Museum, 10/2/2014 – 9/9/2018

Some images in our online collection are at thumbnail size, in accordance with AAMD guidelines, because they are protected by copyright. The Denver Art Museum respects the rights of artists or their representatives who retain the copyright to their work. Other images represent the best photography available and should be used as reference images only. Please complete the Image Rights Request form if you want to request a high resolution image.

This information is published from the Denver Art Museum’s collection database. Updates and additions based on research and imaging activities are ongoing. The images, titles, and inscriptions are products of their time and are presented here as documentation, not as a reflection of the museum’s values. If you have corrections or additional information about this object please email us at info@denverartmuseum.org to help us improve our records.

Every effort has been made to accurately determine the rights status of works and their images. Please email us imagerights@denverartmuseum.org if you have further information on the rights status of a work contrary or in addition to the information in our records.