Group of men playing the flute to impress a woman, who is holding a dog and smiling
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Jacob Jordaens, Serenade, about 1640– 45. Oil paint on canvas; 54 1/8 × 70 1/2 in. © The Phoebus Foundation, Antwerp.

Saints, Sinners, Lovers, and Fools

300 Years of Flemish Masterworks
16 de octubre de 2022 – 22 de enero de 2023

Jacob Jordaens, Serenade, about 1640– 45. Oil paint on canvas; 54 1/8 × 70 1/2 in. © The Phoebus Foundation, Antwerp.

Disfruta de estas obras de arte flamencas en su debut en los Estados Unidos. ¡Muchas de estas obras nunca antes habían estado a la vista del público, incluso en Bélgica!

Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks (Santos, pecadores, amantes y tontos: 300 años de obras maestras flamencas) es una presentación extraordinaria de pinturas, esculturas y otros objetos medievales, renacentistas y barrocos del sur de los Países Bajos. La muestra incluye obras maestras de Hans Memling, Jan Gossaert, Jan y Catharina van Hemessen, Peter Paul Rubens, Jacob Jordaens y Anthony van Dyck, entre muchos otros.

Saints, Sinners, Lovers, and Fools ofrece una mirada a los temas y estilos específicos adoptados por los artistas del sur de los Países Bajos entre los siglos XV y XVII, y ofrece conexiones importantes con la sociedad y la cultura de la época. Estas obras presentan un mundo de rápido cambio a través de estilos, temas y técnicas únicos, ofreciéndonos una visión del pasado y la oportunidad de crear paralelos con nuestro mundo actual.

Saints, Sinners, Lovers, and Fools es una colaboración con la The Phoebus Foundation y presenta, por vez primera, al público estadounidense la colección de arte flamenca de los siglos XV al XVII de la Fundación con sede en Bélgica. Esta exposición que require de boleto estará a la vista por tiempo limitado, desde el 16 de octubre de 2022 hasta el 22 de enero de 2023.

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A woman, priest, and angel look over a baby in a Nativity scene

Hans Memling y Taller, The Nativity (La Natividad), hacia 1480. Pintura al óleo sobre tabla; 44 3/8 × 34 1/8 in. © The Phoebus Foundation, Amberes.

Two young men dressed as jesters snickering to each other

Jan Massys, Rebus: The World Feeds Many Fools (El mundo alimenta a muchos tontos), hacia 1530. Pintura al óleo sobre tabla; 20 1/4 × 24 3/8 in. © The Phoebus Foundation, Amberes.

Flemish painting of a woman looking over her shoulder next to a man staring intently at her

Peter Paul Rubens, A Sailor and a Woman Embracing (Abrazo de un marinero y una mujer), hacia 1615-18. Pintura al óleo sobre tabla; 39 3/8 × 31 1/4 in © The Phoebus Foundation, Amberes.

Naked humans and animals in repose in the garden of Eden

Hendrick de Clerck y Denijs van Alsloot, The Garden of Eden with the Four Elements (El jardín del edén con los cuatro elementos), 1613. Pintura al óleo sobre cobre; 32 1/4 × 38 1/2 in. © The Phoebus Foundation, Amberes.

Group of men playing the flute to impress a woman, who is holding a dog and smiling

Jacob Jordaens, Serenade (Serenata), hacia 1640–45. Pintura al óleo sobre lienzo; 54 1/8 × 70 1/2 in. © The Phoebus Foundation, Amberes.

Triptych featuring a baby being worshipped in the center, flanked by two men on opposite sides watching over

Maestro de Frankfurt y su Taller, The Adoration of the Magi with Emperor Frederick III and Emperor Maximilian (La adoración de los magos con el emperador Frederick III y el emperador Maximiliano), hacia 1510–20. Pintura al óleo sobre tabla; 56 1/8 × 78 3/8 in. © The Phoebus Foundation, Amberes

Portrait of a husband and wife sitting and playing a tables game

Jan van Hemessen, Double Portrait of a Husband and Wife Playing Tables (Doble retrato de esposo y esposa jugando tablas). 1532. Pintura al óleo sobre tabla; 54 7/8 × 61 1/8 in. © The Phoebus Foundation, Amberes.

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Painting of young William the Orange standing up in a red formal dress clothes

Anthony van Dyck, Portrait of Prince William II of Orange as a Child (Retrato del príncipe William II de Orange de niño), hacia 1631. Pintura al óleo sobre lienzo; 56 3/4 × 47 1/8 in. © The Phoebus Foundation, Amberes.

Painting of a nightmarish dark landscape with people and objects strewn about

Seguidor de Hieronymus Bosch, Hell (Infierno), hacia 1540–50. Pintura al óleo sobre tabla; 55 5/8 × 45 3/8 in. © The Phoebus Foundation, Amberes.

Three panels depiciting a group of men and women admiring a newborn baby

Pieter Coecke van Aelst, Triptych with the Adoration of the Magi (Tríptico con la adoración de los magos), hacia 1530–40. Pintura al óleo sobre tabla; 47 1/4 × 68 1/4 in. © The Phoebus Foundation, Amberes.

Poster-sized painting depiciting a crowd of worshippers gathered around Christ on the cross.

Philippe de Mazerolles, Life and Passion of our Lord Jesus Christ [Gruuthuse manuscript], about 1460. Illuminated manuscript on parchment; 12 1/8 × 8 7/8 in. © The Phoebus Foundation, Antwerp

A mother in a blue dress and white cap holding her newborn baby

Jan Gossaert, The Virgin and Child (La Virgen y el Niño), hacia 1520. Pintura al óleo sobre tabla; 18 3/4 × 14 in. © The Phoebus Foundation, Amberes.

Portrait of a middle-aged man in formal wear and expensive coat

Jan van Scorel, Portrait of Joost Aemsz. van der Burch (Retrato de Joost Aemsz. van der Burch), hacia 1530–41. Pintura al óleo sobre tabla; 44 5/8 × 40 3/4 in. © The Phoebus Foundation, Amberes.

Portrait of a smirking elderly woman in green and gold clothing

Jan van Hemessen, Portrait of Elisabet, Court Fool of Anne of Hungary (Retrato de Elisabet, bufona de la corte de Ana de Hungría), hacia 1525. 25 1/2 × 22 in. © The Phoebus Foundation, Amberes.

A group of women hunting deer with a long spear and a pack of dogs

Peter Paul Rubens y Taller, Diana Hunting with Her Nymphs (Diana de cacería con sus ninfas), hacia 1636–37. Pintura al óleo sobre lienzo; 78 3/4 × 157 7/8 in. © The Phoebus Foundation, Amberes

A child in black looking at and holding another child in white

Michaelina Wautier, Everyone to His Taste (Cada quien su gusto), hacia 1650. Pintura al óleo sobre lienzo; 36 5/8 × 42 7/8 in. © The Phoebus Foundation, Amberes.

A man and wife posing in a large gallery room covered in paintings

Peeter Neefs II y Gillis van Tilborgh, Portrait of an Elegant Couple in an Art Cabinet (Retrato de pareja elegante en un gabinete de arte), 1652 y hacia 1675. Pintura al óleo sobre lienzo; 51 5/8 × 62 3/8 in. © The Phoebus Foundation, Amberes.

Bust of a woman with a skeletal face painted on the back of her head

Catarina Ykens II, Vanitas Bust of a Lady (Vanitas busto de una dama), 1688. Pintura al óleo sobre tabla; 12 1/2 × 12 3/8 in. © The Phoebus Foundation, Amberes.

Portrait of a young dark-haired man with his paint palette in-hand

Jan Cossiers, Self-Portrait (Autorretrato) hacia 1620–27. Pintura al óleo sobre tabla; 35 1/4 × 28 1/2 in. © The Phoebus Foundation, Amberes.

Roses, tulips, and narcissi in a glass vase

Daniël Seghers, Roses, Tulips, and Narcissi in a Glass Vase (Rosas, tulipanes y narcisos en un florero de cristal), hacia 1630–40. Pintura al óleo sobre cobre; 20 3/8 × 17 in. © The Phoebus Foundation, Amberes.

Look Inside the Exhibition

Watch this sneak peek of Saints, Sinners, Lovers, and Fools, hailed by Christie's as "one of the best exhibitions of 2022 in North America."

Couple posing in the center of a large room filled with artworks

Peeter Neefs II y Gillis van Tilborgh, Portrait of an Elegant Couple in an Art Cabinet (Retrato de pareja elegante en un gabinete de arte), 1652 y hacia 1675. Pintura al óleo sobre lienzo; 51 5/8 × 62 3/8 in. © The Phoebus Foundation, Amberes.

Arte Flamenco en Contexto

Con la exposición Santos, pecadores, amantes y tontos como plataforma, te invitamos a que acompañes a académicos nacionales y extranjeros a profundizar en el arte flamenco. Durante cuatro sesiones, los participantes podrán examinar las obras en la muestra de una manera más detallada, enamorarse de la riqueza visual del arte flamenco y regresar a las salas con un nuevo entendimiento sobre su producción. Por favor, toma en cuenta que estas sesiones solo están disponibles en inglés.

Two young men dressed as jesters snickering to each other

Jan Massys, Rebus: The World Feeds Many Fools (El mundo alimenta a muchos tontos), hacia 1530. Pintura al óleo sobre tabla; 20 1/4 × 24 3/8 in. © The Phoebus Foundation, Amberes.

Saints, Sinners, Lovers, and Fools para Miembros

Explora Santos, Pecadores, Amantes y Tontos y todo lo que hemos preparado para nuestros miembros, incluyendo horario solo para miembros, visitas guiadas, visitas de preestreno y visitas para Amigos del Museo

From Memling to Rubens book cover depicting two half-dressed women mid-stride

Publications

From Memling to Rubens: The Golden Age of Flanders tells the story of Flemish art from the 15th, 16th and 17th centuries, as you've never read it before. It's a rollercoaster ride through 300 years of cultural history. Leading the charge are breathtaking masterpieces from the collection of The Phoebus Foundation, unknown gems by the likes of Hans Memling, Quinten Metsys, Peter Paul Rubens and Anthony Van Dyck that plunge you into a world full of folly and sin, fascination and ambition. Along the way you'll bump into dukes and emperors, rich citizens and poor saints, picture galleries like wine cellars, and Antwerp as Hollywood on the Scheldt.

This is a stirring tale about the image and its meaning, and the link between culture and society. Above all, it's about us, and about who we are today—as people.

This catalog and many others is available to purchase in the DAM Shop or online.

Comparte tu visita en línea con la etiqueta #MasterpiecesatDAM and #DenverArtMuseum

Saints, Sinners, Lovers, and Fools: 300 Years of Flemish Masterworks is co-organized by the Denver Art Museum and The Phoebus Foundation, Antwerp (Belgium). It is presented by the Birnbaum Social Discourse Project. Support is provided by the Tom Taplin Jr. and Ted Taplin Endowment, Keith and Kathie Finger, Lisë Gander and Andy Main, the Kristin and Charles Lohmiller Exhibitions Fund, the Samuel H. Kress Foundation, Christie's, the donors to the Annual Fund Leadership Campaign, and the residents who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by 5280 Magazine and CBS Colorado.