Camille Pissarro, The Pont-Neuf, Afternoon, Sunlight (Le Pont-Neuf, après-midi, soleil), 1901. Oil on canvas; 28 3/4 × 36 1/4 in. Philadelphia Museum of Art: Bequest of Charlotte Dorrance Wright, 1978. Image courtesy bpk / Philadelphia Museum of Art / Art Resource, NY
Camille Pissarro, Pont Boieldieu, Rouen, Rainy Weather (Le Pont Boieldieu à Rouen, temps mouillé), 1896. Oil on canvas; 29 × 25 in. Art Gallery of Ontario, Toronto. Art Gallery of Ontario / Gift of Reuben Wells Leonard Estate, 1937 / Bridgeman Images
Camille Pissarro, Haymakers, Evening, Éragny, 1893. Oil on canvas; 21 3/8 x 25 3/4 in. Joslyn Art Museum, Omaha, Nebraska: Museum purchase, 1946.28. Photograph by Bruce M. White, 2019.
Camille Pissarro, Spring at Eragny (Printemps a Eragny), 1900. Oil paint on canvas; 25 ¾ × 32 ⅛ in. (65.4 × 81.6 cm). Frederic C. Hamilton Collection, bequeathed to the Denver Art Museum
Camille Pissarro, Morning Sun in the Rue Saint-Honoré. Place du Théâtre Français (La Rue Saint-Honoré, matin, effet de soleil), 1898. Oil on canvas; 25 7/8 × 21 1/4 in. Ordrupgaard, Charlottenlund. Image courtesy akg-images
Camille Pissarro, View from my Window, Éragny (Vue de ma fenêtre, Éragny), 1886. Oil on canvas; 25 5/8 × 31 7/8 in. Ashmolean Museum of Art and Archaeology, Oxford: Presented by Mrs Lucien Pissarro, 1950. Image courtesy akg-images
Camille Pissarro, Young Peasant Girl Wearing a Straw Hat (Jeune paysanne au chapeau de paille), 1881. Oil on canvas; 28 7/8 × 23 7/16 in. National Gallery of Art, Washington, D.C.: Ailsa Mellon Bruce Collection, 1970.17.52. Image courtesy National Gallery of Art, Washington, D.C.
Camille Pissarro, Self-Portrait (autoportrait), 1873. Oil on canvas; 21 7/8 × 18 1/8 in. Musée d’Orsay: Donation Paul-Émile Pissarro, 1930. Image courtesy akg-images/Laurent Lecat
Camille Pissarro, Hoar-Frost at Ennery (Gelée blanche à Ennery), 1873. Oil on canvas. 25 3/4 × 36 3/4 in. Musée d'Orsay: Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972. Image courtesy akg-images / De Agostini Picture Lib. / G. Dagli Orti
Camille Pissarro, The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise (Le Jardin des Mathurins, Pontoise, propriété des soeurs Deraismes), 1876. Oil on canvas; 44 5/8 × 65 1/8 in. The Nelson-Atkins Museum of Art, Kansas City, Missouri: Purchase: William Rockhill Nelson Trust. Image courtesy akg-images / De Agostini Picture Lib. / J. E. Bulloz
Camille Pissarro, Hoar-Frost, Peasant Girl Making a Fire (Gelée blanche, jeune paysanne faisant du feu), 1888. Oil on canvas; 36 1/2 × 36 3/8 in. Hasso Plattner Collection at the Museum Barberini. Image courtesy akg-images/Laurent Lecat
Camille Pissarro, The Studio at Éragny, Pear Trees in Bloom (L'Atelier d'Éragny, pruniers en fleur), 1894. Oil on canvas; 23 5/8 × 28 3/4 in. Ordrupgaard, Charlottenlund. Image courtesy Heritage Images / Fine Art Images / akg-images
Camille Pissarro, View from my Window, Éragny (Vue de ma fenêtre, Éragny), 1886. Oil on canvas; 25 5/8 × 31 7/8 in. Ashmolean Museum of Art and Archaeology, Oxford: Presented by Mrs Lucien Pissarro, 1950. Image courtesy akg-images
Pissarro's Impressionism for Members
Experience the exhibition only as a member can with discounted tickets, the opportunity to see it first, exclusive member-only mornings, and more!
Camille Pissarro, Hoar-Frost at Ennery (Gelée blanche à Ennery), 1873. Oil on canvas. 25 3/4 × 36 3/4 in. Musée d'Orsay: Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972. Image courtesy akg-images / De Agostini Picture Lib. / G. Dagli Orti
Perspectives on Pissarro
With Pissarro’s Impressionism as springboard, the Perspectives on Pissarro program series offers a fresh take on the exhibition, the artist, and his world. Join curators, art historians, and a horticulturalist as they share insights into Pissarro’s work and the natural landscapes that inspired him. Register for individual sessions or enjoy a discount for the full series.
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Tickets, dining, parking, and other info to enhance your trip to the museum.
Camille Pissarro Fathered a Family & Impressionism
Camille Pissarro may be known as the “father of Impressionism,” but his role as father to his children was vitally important to the artist.
The Honest Eye: Camille Pissarro's Impressionism (La mirada honesta: El impresionismo de Camille Pissarro) está coorganizada por el Denver Art Museum y el Museum Barberini, Potsdam.
La exposición es presentada por Jana y Fred Bartlit, Barbara Bridges, Bridget y John Grier, el fondo Kristin and Charles Lohmiller Exhibitions Fund, y Craig Ponzio.
La muestra cuenta con el apoyo adicional del fondo Tom Taplin Jr. y Ted Taplin Endowment, Adolph Coors Exhibition Endowment Fund, el Birnbaum Social Discourse Project, Lori y Grady Durham, Kathie y Keith Finger, Sally Cooper Murray, Ellen y Morris Susman, Lisë Gander y Andy Main, Mary Pat y Richard McCormick, Kent Thiry y Denise O'Leary, Robert Lehman Foundation, Christie's, los donantes de la campaña benéfica Annual Fund Leadership Campaign, y de los residentes que brindan su apoyo al Distrito de Organizaciones Científicas y Culturales (SCFD, por sus siglas en inglés). Esta exposición cuenta con una indemnidad del Federal Council on the Arts and the Humanities. Apoyo promocional proporcionado por CBS Colorado.
