Lo siguiente está disponible en español.
Cuatro [4]: A Series of Artist Interactions (which began with Carlos Frésquez' project) focuses on four local artists and creatives who will bring the Denver Art Museum’s pre-Columbian and Spanish Colonial art collections to life. Our second artist of the series, Danette Montoya, debuts her installation of Las Almas de los Muertos on October 18, and it will evolve over four weeks.
Celebra tu creatividad y cultura cada primer sábado del mes con actividades bilingües para toda la familia. Visítanos el 1.º de octubre y participa en las siguientes actividades.
Estudio de Movimiento (Edificio Hamilton, Nivel 1)
Experimenta con el movimiento en nuestro Estudio de Movimiento. Explora cómo los artistas se expresan y se inspiran por el movimiento usando varios materiales y técnicas para crear obras de arte.
Verla Howell will have open studio hours in the Powwow Regalia Studio from 10 am–2 pm, July 28–31.
Q&A with Alistair Bane about the work he did as a Native Arts Artist-in-Residence at the Denver Art Museum in July 2016.
If you prefer, you also can read this in English.
Gracias a una beca del Institute of Museum and Library Services (IMLS), el Denver Art Museum trabajará con cuatro artistas locales para presentar el programa Cuatro [4]: A Series of Artist Interactions durante el próximo año. Los artistas crearán proyectos inspirados en nuestra colección de arte precolombino y arte colonial español. Nos complace darle la bienvenida al primer artista de la serie, Carlos Frésquez, un artista célebre chicano y nativo de Denver.
Lo siguiente está disponible en español.
Thanks to a grant from the Institute of Museum and Library Services (IMLS), the Denver Art Museum will be working with four local creatives and artists to present Cuatro [4]: A Series of Artist Interactions over the next year. Artists participating in this series will create projects inspired by our pre-Columbian and Spanish Colonial galleries. We’re excited to welcome our first artist of the series, Carlos Frésquez, a celebrated Chicano artist and Denver native.
Mary Young Bear will have open studio hours in the Powwow Regalia Studio from 10 am–2 pm, Thursdays–Sundays, June 9–19.
Nicole Laurin: What genre of dance is your piece connected to and what’s your relationship/history to it?
Nuestra cuentista, Laura Slack, ha relatado historias acerca de las obras de arte de DAM por más de un año durante nuestro programa Cuentos del Arte, el cual se lleva a cabo el primer sábado de cada mes durante CelebrARTE. ¡Este verano, Laura contará sus cuentos en español! Laura es muy graciosa, energética y llena de sorpresas. El mes pasado tuve el placer de charlar con Laura acerca de su carrera como cuentista y su experiencia en DAM. Esto es lo que aprendí:
Public Hours
Jan Jacobs will have public hours when she will engage with visitors in the studio on level 3 of the North Building on the following dates:
April 20–21, 23–24: 11 am–2 pm
Insider Moment
Join Jan Jacobs for an off-the-cuff chat about her ongoing work in the Native Arts Artist-in-Residence studio. We'll go wherever the conversation takes us.
May 4: 1-1:30 pm North Building, level 3, included in general admission.
Nooner Tours— A Chat with an Artist
Editor's Note: Gregg Deal is the Native Arts Artist-in-Residence. He hosts public hours 11 am–2 pm January 13-17 and will perform at Untitled Final Friday on January 29. Below is a blog he wrote about his recent performance piece at the DAM, Ethnographic Zoo.
Dawn Spencer Hurwitz will be in the Flower Studio at the Denver Art Museum demonstrating her creative process October 10 and 11.
Dawn is the owner of DSH Perfumes in Boulder, Colorado and is regarded as a prolific artist and consummate niche perfumer. She uses her education in the arts as a painting student to design her exceptional aromas using the principals of fine arts such as shape, color, light, expression, and texture. As an artist, Hurwitz often draws inspiration from her surroundings and other works of art.
When Tom Haukaas was young, he spent hours watching the traditional dancers of his Rosebud Sioux Tribe with awe. He was impressed not only by their dancing, but also with the beauty of their elaborate costumes. He couldn’t afford to buy the garments so he decided to learn how to make them. Surrounded by family and friends who were skilled at both quilt and beadwork, Haukaas learned from the best, eventually developing his own original aesthetic.