Denver Art Museum announces major exhibition of Australian Indigenous Art

The Stars We Do Not See: Australian Indigenous Art presents a survey of works from the National Gallery of Victoria

DENVER – Feb. 3, 2026 – The Denver Art Museum (DAM) is proud to announce it will be the second venue for The Stars We Do Not See: Australian Indigenous Art, the largest exhibition of Aboriginal and Torres Strait Islander art ever presented in North America. Organized by the National Gallery of Victoria (NGV) in Melbourne and the National Gallery of Art in Washington, D.C., the landmark exhibition will be on view at the DAM from April 19 through July 26, 2026.

Abstract artwork of colorful shapes and lines that resemble a top-down view of the map

Tiger Palpatja (Pitjantjatjara c. 1920–2012), Wati Wanampi Tjukurpa, 2010. Synthetic polymer paint on canvas. National Gallery of Victoria, Melbourne: Purchased in memory of Graeme Marshall with funds donated by Harriet and Richard England and Anne and Ian McLean, 2011 (2011.334). © Tiger Palpatja/Copyright Agency, 2024. Photo: Jeremy Dillon / NGV

The exhibition is the product of a unique cultural partnership between the National Gallery of Art and the NGV, which will facilitate the global exchange of artworks from the NGV’s permanent collection. Bank of America is the North America Tour Sponsor for the exhibition.

Curated by the NGV especially for North American audiences, the exhibition features more than 130 works by 142 artists, several of whom worked collaboratively, drawn exclusively from the NGV's world-leading collection. DAM’s presentation of The Stars We Do Not See will offer a captivating and multi-layered experience for visitors of all ages. This extensive exhibition introduces visitors to the breadth and depth of contemporary art by artists from the world’s oldest continuous living culture.

“It’s an honor to bring this incredible exhibition to our visitors and communities in Denver and hopefully many visitors from all over the state and region,” said Christoph Heinrich, Frederick and Jan Mayer Director of the Denver Art Museum. “The Stars We Do Not See presents an exploration of Indigenous Australian art and culture, challenging visitors to examine their own perceptions of this vast and extremely diverse region.”

Through a rich display of masterpieces—many of which have never left Australia—The Stars We Do Not See traces pivotal moments in Indigenous Australian art from the late 19th century to the present.

“Presenting these defining works of Aboriginal and Torres Strait Islander art expands our understanding of Native art globally, offering new perspectives on the deep cultural connections and artistic innovation that exist across Indigenous communities worldwide,” said John P. Lukavic, Andrew W. Mellon Curator of Native Arts at the DAM.

“At Bank of America, we believe that investments in arts and culture help to build communities and have a positive impact on the lives of our clients and employees,” said Gabby Hodgson, President, Bank of America Colorado. “We are proud to sponsor this new exhibition which allows a rare opportunity for Denver Art Museum visitors to experience significant examples of modern and contemporary Australian Indigenous art.”

Tranluscent intertwining strands of white rope-like swirls

Emily Kam Kngwarray (Anmatyerre, c. 1910–96), Anwerlarr Anganenty (Big Yam Dreaming), 1995. Synthetic polymer paint on canvas. National Gallery of Victoria, Melbourne: Presented through The Art Foundation of Victoria by Donald and Janet Holt and family, Governors, 1995 (1995.709). © Emily Kam Kngwarray/Copyright Agency, 2024. Photo: Christian Markel / NGV

The exhibition introduces audiences to Indigenous Australian contemporary art practice, including the conceptual map paintings of the Central and Western Deserts, ochre bark paintings and experimental weavings. It also highlights the work of new-media artists, who build on tradition with groundbreaking works in neon, video and photography.

Highlight works never shown in North America include Emily Kam Kngwarray’s monumental painting, Anwerlarr Anganenty (Big Yam Dreaming) (1995). At over nine by twenty-seven feet, this iconic painting from the NGV collection represents the underground network of roots and yams.

The exhibition's title is inspired by the late senior Yolŋu artist Gulumbu Yunupiŋu (1943–2012), who became known as “Star Lady.” Her intricate works, a selection of which will be featured in the exhibition, use crosses to represent the stars we can see and a dense network of dots to symbolize the stars we cannot see—the unseen expanse of the universe.

Urban-based contemporary artists working in new media are represented throughout the show, with key works by influential artists such as Brook Andrew, Richard Bell, Reko Rennie, and Maree Clarke. Included are Christian Thompson’s Burdi Burdi (Fire Fire) (2021), a four-channel sound installation and Destiny Deacon’s Snow Storm (2005), which explores how Aboriginal material culture has historically been presented in clinical, museological environments.

Through diverse art forms—from ochre bark paintings and weavings to modern and contemporary sound and video installations—visitors will explore key Indigenous Australian concepts like Country and Dreaming. Interpretation will focus on making Indigenous knowledges and ideas accessible, helping visitors understand what might appear to Western audiences as abstract patterns are complex visual maps layered with cultural knowledge, stories and law.

Abstract human-like figure with raised shoulders and akimbo legs

Alec Mingelmanganu (Wunambal, c. 1910–81), Wanjina, 1980. Earth pigments and natural binder on canvas. National Gallery of Victoria, Melbourne: Purchased from Admission Funds, 1990 (O.156-1990). © The Artist/Licensed by Aboriginal Artists Agency Limited. Photo: Christian Markel / NGV

The exhibition emphasizes the living nature of Indigenous Australian art and culture. DAM’s presentation will employ engaging methods, drawing on the museum's existing model of hands-on, minds-on activities.

By highlighting the artists’ exploration of sovereignty, land rights and ties to community and ancestors, the exhibition will encourage visitors to recognize that Indigenous Australian art is simultaneously ancient and contemporary, serving as a powerful expression of identity and a vital vehicle for the transmission of cultural knowledge and practice.

The exhibition is organized by the National Gallery of Victoria and the National Gallery of Art in Washington, D.C., in association with the Denver Art Museum, the Portland Art Museum in Oregon and the Peabody Essex Museum in Massachusetts.

The presentation of this exhibition at the Denver Art Museum is supported by the Birnbaum Social Discourse Project, the donors to the Annual Fund Leadership Campaign and the residents who support the Scientific and Cultural Facilities District (SCFD).

EXHIBITION TOUR

  • Denver Art Museum, Colo.: April 19 – July 26, 2026
  • Portland Art Museum, Ore.: Sept. 5, 2026 – Jan 3, 2027
  • Peabody Essex Museum, Mass.: February 27 – June 13, 2027

EXHIBITION CURATORS

The exhibition is curated by Myles Russell-Cook, Artistic Director & CEO of the Australian Centre for Contemporary Art (ACCA) and former Senior Curator of Australian and First Nations Art, National Gallery of Victoria.

At the Denver Art Museum, the exhibition is curated and organized by John P. Lukavic, Andrew W. Mellon Curator of Native Arts, Caitlin O'Beirne, Curatorial Assistant of Native Arts and Manuel Ferreira, Interpretive Specialist.

EXHIBITION PUBLICATION

The exhibition is accompanied by a major new book published by the National Gallery of Victoria and the National Gallery of Art, in association with D.A.P./Distributed Art Publishers. The richly illustrated volume features more than 100 individual artwork plates by First Nations Australian artists.

Planning Your Visit

The most up-to-date information on planning a visit to the Denver Art Museum can be found online under the Plan Your Visit tab. Use this page to find details on ticket pricing, public transit options and access information. General admission for museum members is free every day. Youth aged 18 and under receive free general admission everyday thanks to the museum’s Free for Kids program. Free for Kids also underwrites free admission for school and youth group visits.

About the Denver Art Museum

The Denver Art Museum is an educational, nonprofit resource that sparks creative thinking and expression through transformative experiences with art. Its holdings reflect the city and region—and provide invaluable ways for the community to learn about cultures from around the world. Metro area residents support the Scientific and Cultural Facilities District (SCFD), a unique funding source serving hundreds of metro Denver arts, culture and scientific organizations. For museum information, call 720-865-5000 or visit www.denverartmuseum.org.

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