Camille Pissarro left a vast treasure trove of correspondence. His letters were mostly written to his children, but were also addressed to his wife, Julie, his friends and family, dealers, and doctors. They create an intimate portrait of the artist—revealing his worries, complaints, hopes, and advice. Without them, we would understand less of the motivations and history of the Impressionists. Although his letters were never intended to be read by the public, they allow us a personal, and often unexpected, glimpse into the life of Pissarro the man as well as the artist.
Paris, January 1872
My dear Julie,
I’m writing to you tonight to give you some good news. I have entered the house of Durand-Ruel, he spoke to me of my paintings, and gave me a great deal of encouragement and told me that he wanted to buy my paintings, big or small…I am delighted at the turn of my affairs…A thousand kisses to you all and to Georges in particular. Goodbye, dear wife, see you the day after tomorrow for details.
Your husband,
C. Pissarro
September 3, 1872
My dear Guillaumet,
…Our Cezanne is giving us hope…I have in my house a painting of remarkable vigor, remarkable strength. If, as I hope, he stays for a while in Auvers, where he is going to live now, he will surprise quite a few artists who were too quick to dismiss him.
C. Pissarro
September 10, 1885
My dear Monsieur Durand-Ruel,
We have hardly any money left. We are still in late payment of certain invoices…I have given nothing for the house; so that’s 800 francs in all, not to mention that for my own part, I have nothing for my personal expenses, such as a trip to Gisors to finish my canvases, which I had to suspend…you can see that little by little, the deficit is growing…. Please, I beg you to excuse me for the trouble I am causing you; but alas!, without money everything stops.
Your devoted,
C. Pissarro
Paris, December 6, 1891
My dear children,
…Now this is my advice to Georges, I have tried what I recommend, it is worth following: when you feel the impulse to make something, do it no matter the cost…you can be sure of reward. So rare a thing is it to have a desire that it is one’s duty to act on it, and at once, for desire evaporates if one delays. Forward, go to it! Be advised, act! That is the most practical course one can take.
Your affectionate father,
C. Pissarro
April 8, 1895
My dear Lucien,
….Impressionist art is still too misunderstood…I remember that, even though I was full of enthusiasm, I did not have the slightest idea…of the profound aspect of the movement which we pursued instinctively. It was in the air!
Your affectionate father,
C. Pissarro
Paris, December 4, 1895
My dear Lucien,
…I have just about finished my large figure paintings. Finished? That is to say I am letting them lie around in the studio until I find, at some moment, the final sensation that will give life to the whole…
Your affectionate father,
C. Pissarro
Paris, June 18, 1898
My dear Lucien,
I am sending two paintings to America, to the exhibition in Pittsburgh, I was invited by the director, a charming man. He also invited me to be a member of this year’s jury, with traveling expenses paid both ways, and for the best hotels…I would stay fifteen days. Naturally I declined, out of principle.
Your affectionate father,
C. Pissarro
Exhibition Guide Sections
- Introduction
- Artistic Beginnings: St. Thomas and Venezuela
- Path to Impressionism
- A Life in Letters
- Portrait of a Family
- The Impressionist Journey
- Rural Communities: Harvest and Market Scenes
- Pissarro's Fans
- At Home in Éragny
- A Garden Retreat
- Against the Grain: Politics and Neo-Impressionism
- Normandy Harbors
- Sights of Paris
- Audio Guide
The Honest Eye: Camille Pissarro's Impressionism is co-organized by the Denver Art Museum and the Museum Barberini, Potsdam.
It is presented by Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, and Craig Ponzio.
The exhibition is also supported by the Tom Taplin Jr. and Ted Taplin Endowment, Adolph Coors Exhibition Endowment Fund, Birnbaum Social Discourse Project, Lori and Grady Durham, Kathie and Keith Finger, Sally Cooper Murray, Ellen and Morris Susman, Lisë Gander and Andy Main, Mary Pat and Richard McCormick, Kent Thiry and Denise O'Leary, Robert Lehman Foundation, Christie's, the donors to the Annual Fund Leadership Campaign, and the residents who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by CBS Colorado.