Camille Pissarro, View from my Window, Éragny (Vue de ma fenêtre, Éragny), 1886. Oil on canvas; 25 5/8 × 31 7/8 in. Ashmolean Museum of Art and Archaeology, Oxford: Presented by Mrs Lucien Pissarro, 1950. Image courtesy akg-images
Pissarro's Impressionism for Members
Experience the exhibition only as a member can with discounted tickets, the opportunity to see it first, exclusive member-only mornings, and more!
Camille Pissarro, Hoar-Frost at Ennery (Gelée blanche à Ennery), 1873. Oil on canvas. 25 3/4 × 36 3/4 in. Musée d'Orsay: Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972. Image courtesy akg-images / De Agostini Picture Lib. / G. Dagli Orti
Perspectives on Pissarro
With Pissarro’s Impressionism as springboard, the Perspectives on Pissarro program series offers a fresh take on the exhibition, the artist, and his world. Join curators, art historians, and a horticulturalist as they share insights into Pissarro’s work and the natural landscapes that inspired him. Register for individual sessions or enjoy a discount for the full series.
The Honest Eye: Camille Pissarro's Impressionism is co-organized by the Denver Art Museum and the Museum Barberini, Potsdam.
It is presented by Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, and Craig Ponzio.
The exhibition is also supported by the Tom Taplin Jr. and Ted Taplin Endowment, Adolph Coors Exhibition Endowment Fund, Birnbaum Social Discourse Project, Lori and Grady Durham, Kathie and Keith Finger, Sally Cooper Murray, Ellen and Morris Susman, Lisë Gander and Andy Main, Mary Pat and Richard McCormick, Kent Thiry and Denise O'Leary, Robert Lehman Foundation, Christie's, the donors to the Annual Fund Leadership Campaign, and the residents who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by 5280 Magazine and CBS Colorado.