Camille Pissarro, The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise (Le Jardin des Mathurins, Pontoise, propriété des soeurs Deraismes) (detail), 1876. Oil on canvas; 44 5/8 × 65 1/8 in. The Nelson-Atkins Museum of Art, Kansas City, Missouri: Purchase: William Rockhill Nelson Trust. Image courtesy akg-images / De Agostini Picture Lib. / J. E. Bulloz

The Honest Eye: Camille Pissarro’s Impressionism

Camille Pissarro, The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise (Le Jardin des Mathurins, Pontoise, propriété des soeurs Deraismes) (detail), 1876. Oil on canvas; 44 5/8 × 65 1/8 in. The Nelson-Atkins Museum of Art, Kansas City, Missouri: Purchase: William Rockhill Nelson Trust. Image courtesy akg-images / De Agostini Picture Lib. / J. E. Bulloz

Camille Pissarro, The Pont-Neuf, Afternoon, Sunlight (Le Pont-Neuf, après-midi, soleil), 1901. Oil on canvas; 28 3/4 × 36 1/4 in. Philadelphia Museum of Art: Bequest of Charlotte Dorrance Wright, 1978. Image courtesy bpk / Philadelphia Museum of Art / Art Resource, NY

Camille Pissarro, Pont Boieldieu, Rouen, Rainy Weather (Le Pont Boieldieu à Rouen, temps mouillé), 1896. Oil on canvas; 29 × 25 in. Art Gallery of Ontario, Toronto. Art Gallery of Ontario / Gift of Reuben Wells Leonard Estate, 1937 / Bridgeman Images

Camille Pissarro, Haymakers, Evening, Éragny, 1893. Oil on canvas; 21 3/8 x 25 3/4 in. Joslyn Art Museum, Omaha, Nebraska: Museum purchase, 1946.28. Photograph by Bruce M. White, 2019.

Camille Pissarro, Spring at Eragny (Printemps a Eragny), 1900. Oil paint on canvas; 25 ¾ × 32 ⅛ in. (65.4 × 81.6 cm). Frederic C. Hamilton Collection, bequeathed to the Denver Art Museum

Camille Pissarro, Morning Sun in the Rue Saint-Honoré. Place du Théâtre Français (La Rue Saint-Honoré, matin, effet de soleil), 1898. Oil on canvas; 25 7/8 × 21 1/4 in. Ordrupgaard, Charlottenlund. Image courtesy akg-images

Camille Pissarro, View from my Window, Éragny (Vue de ma fenêtre, Éragny), 1886. Oil on canvas; 25 5/8 × 31 7/8 in. Ashmolean Museum of Art and Archaeology, Oxford: Presented by Mrs Lucien Pissarro, 1950. Image courtesy akg-images

Camille Pissarro, Young Peasant Girl Wearing a Straw Hat (Jeune paysanne au chapeau de paille), 1881. Oil on canvas; 28 7/8 × 23 7/16 in. National Gallery of Art, Washington, D.C.: Ailsa Mellon Bruce Collection, 1970.17.52. Image courtesy National Gallery of Art, Washington, D.C.

Camille Pissarro, Self-Portrait (autoportrait), 1873. Oil on canvas; 21 7/8 × 18 1/8 in. Musée d’Orsay: Donation Paul-Émile Pissarro, 1930. Image courtesy akg-images/Laurent Lecat

Camille Pissarro, Hoar-Frost at Ennery (Gelée blanche à Ennery), 1873. Oil on canvas. 25 3/4 × 36 3/4 in. Musée d'Orsay: Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972. Image courtesy akg-images / De Agostini Picture Lib. / G. Dagli Orti

Camille Pissarro, The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise (Le Jardin des Mathurins, Pontoise, propriété des soeurs Deraismes), 1876. Oil on canvas; 44 5/8 × 65 1/8 in. The Nelson-Atkins Museum of Art, Kansas City, Missouri: Purchase: William Rockhill Nelson Trust. Image courtesy akg-images / De Agostini Picture Lib. / J. E. Bulloz

Camille Pissarro, Hoar-Frost, Peasant Girl Making a Fire (Gelée blanche, jeune paysanne faisant du feu), 1888. Oil on canvas; 36 1/2 × 36 3/8 in. Hasso Plattner Collection at the Museum Barberini. Image courtesy akg-images/Laurent Lecat

Camille Pissarro, The Studio at Éragny, Pear Trees in Bloom (L'Atelier d'Éragny, pruniers en fleur), 1894. Oil on canvas; 23 5/8 × 28 3/4 in. Ordrupgaard, Charlottenlund. Image courtesy Heritage Images / Fine Art Images / akg-images

View of the green garden and lush countryside

Camille Pissarro, View from my Window, Éragny (Vue de ma fenêtre, Éragny), 1886. Oil on canvas; 25 5/8 × 31 7/8 in. Ashmolean Museum of Art and Archaeology, Oxford: Presented by Mrs Lucien Pissarro, 1950. Image courtesy akg-images

Pissarro's Impressionism for Members

Experience the exhibition only as a member can with discounted tickets, the opportunity to see it first, exclusive member-only mornings, and more!

Wheat field blanketed with a light snow frost

Camille Pissarro, Hoar-Frost at Ennery (Gelée blanche à Ennery), 1873. Oil on canvas. 25 3/4 × 36 3/4 in. Musée d'Orsay: Legs Enriqueta Alsop au nom du Dr. Eduardo Mollard, 1972. Image courtesy akg-images / De Agostini Picture Lib. / G. Dagli Orti

Perspectives on Pissarro

With Pissarro’s Impressionism as springboard, the Perspectives on Pissarro program series offers a fresh take on the exhibition, the artist, and his world. Join curators, art historians, and a horticulturalist as they share insights into Pissarro’s work and the natural landscapes that inspired him. Register for individual sessions or enjoy a discount for the full series.

The Honest Eye: Camille Pissarro's Impressionism is co-organized by the Denver Art Museum and the Museum Barberini, Potsdam.

It is presented by Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, and Craig Ponzio.

The exhibition is also supported by the Tom Taplin Jr. and Ted Taplin Endowment, Adolph Coors Exhibition Endowment Fund, Birnbaum Social Discourse Project, Lori and Grady Durham, Kathie and Keith Finger, Sally Cooper Murray, Ellen and Morris Susman, Lisë Gander and Andy Main, Mary Pat and Richard McCormick, Kent Thiry and Denise O'Leary, Robert Lehman Foundation, Christie's, the donors to the Annual Fund Leadership Campaign, and the residents who support the Scientific and Cultural Facilities District (SCFD). This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Promotional support is provided by 5280 Magazine and CBS Colorado.