Parfleche

Parfleche

Unknown artist from a Northern Plains tribe
Unknown, but at the DAM since 1953
rawhide, pigment
  • Look closely at this object. Describe what you see.
  • What do you think this object was used for? What makes you think that?
  • Imagine you were packing a small bag for a long trip. What are the three most important things that you would bring?

What is it?

This object is a parfleche (pronounced: “par-flesh”), which is a rawhide container used to carry objects. It was made by an artist from a Northern Plains tribe, and has been with the Denver Art Museum since 1953.

What inspired it?

Plains and western American Indians made containers out of rawhide (cleaned and dried animal hide) to store or carry items like moccasins, clothing, or dried food. French traders called these objects "parfleches," from the French words parer, meaning “parry” or “defend,” and flèche, meaning “arrow,” because the hide was tough enough to deflect an arrow, and was also used to make shields.

How is it used?

Parfleches are designed to carry all types of objects. The three common shapes of Sioux parfleches are flat/folded (like this object), box, and tube. Different parfleche shapes are better for carrying different types of objects; for example, a box-shape one would be great for storing moccasins. The sturdy and compact design of the parfleche also makes it ideal for keeping the stored items safe during travel, especially when travelling on horseback. The creation and use of the parfleche developed along with the European’s introduction of horses to the Americas.

How is it made?

Process: The hide used for parfleches is prepared by soaking a fresh hide (usually from cattle or buffalo), scraping away the fur, extra flesh, and bits of remaining fat, and creating a uniform thickness to the hide. The wet hide is then stretched and staked to the ground, or on a frame, and mechanically chopped to break the bonds in the hide. This gives the tough hide some flexibility for folding and refolding when dry. The hide is then formed and folded into the desired final shape. For this particular form, the sides were overlapped and the ends were folded inward, to meet in the middle, and closed with the use of a leather tie. The pigment used for decorating the front of the parfleche was likely created by mixing earth-based pigments and minerals with hide glue (made by extracting the adhesive found in animal bones and skin). These pigments are often made into a "cookie" then used like a piece of chalk on the hide.

Details

Detail of parfleche made by a Northern Plains artist

Color

While the meaning and symbolism of the colors vary from one tribe to another, they are normally indicative of that tribe’s surroundings, or who they may have traded with, in order to be able to use those materials.

Detail of parfleche made by a Northern Plains artist

Geometric shapes and patterns

Different shapes and patterns have different meanings to different tribes. Each tribe uses certain symbols as a form of visual identity.

Detail of parfleche made by a Northern Plains artist

Materials

Although rawhide is usually tough and stiff, here it has been processed to make it flexible enough for use as a storage container.

Funding for object education resources provided by a grant from the Morgridge Family Foundation. Additional funding provided by the William Randolph Hearst Endowment for Education Programs, and Xcel Energy Foundation. We thank our colleagues at the University of Denver Morgridge College of Education.

The images on this page are intended for classroom use only and may not be reproduced for other reasons without the permission of the Denver Art Museum. This object may not currently be on display at the museum.