A detail of los desaparecidos (the arbiter of time) by Ronny Quevedo. Pieces of a shirt pattern are overlaid with a series of lines radiating from a central point.
Image Credit

Ronny Quevedo (b.1981, Guayaquil, Ecuador). los desaparecidos (the arbiter of time), 2018. Wax, pattern paper and gold leaf on muslin, 50 x 62 inches. Purchased with generous funds from the Marion G. Hendrie Fund, Ralph L. & Florence R. Burgess Trust, and Alianza de las Artes Americanas in honor of Ruth Tomlingson. © Ronny Quevedo

ReVisión: A New Look at Art in the Americas

2022 Mayer Center for Ancient and Latin American Art Symposium

Ronny Quevedo (b.1981, Guayaquil, Ecuador). los desaparecidos (the arbiter of time), 2018. Wax, pattern paper and gold leaf on muslin, 50 x 62 inches. Purchased with generous funds from the Marion G. Hendrie Fund, Ralph L. & Florence R. Burgess Trust, and Alianza de las Artes Americanas in honor of Ruth Tomlingson. © Ronny Quevedo

Overview

Organized by Victoria I. Lyall, PhD & Jorge F. Rivas Perez, PhD. Sponsored by the Mayer Center.

Inspired by the exhibition ReVisión: Art in the Americas, the 20th annual Mayer Center symposium focused on the art of the Americas as a single interwoven story by collapsing time and distance to connect history, legend, memory, and the present.

Sharp Auditorium—Hamilton Building, Lower Level
Ticket required

Related

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Panels:

  • Clarissa Tossin (Artist) and Victoria Lyall (Denver Art Museum): Changing Landscapes: From the Amazon to Beyond
  • Rafael Fajardo (University of Denver), Ronald Rael (University of California, Berkeley), and Sandy Rodriguez (Arist): Re-Envisioning the Borderlands
  • Alexander Apostol (Artist), Luis Vargas Santiago (Instituto de Investigaciones Estéticas at the Universidad Nacional Autónoma de México), and Jorge Rivas (Denver Art Museum): Postures, Positions, Poses: Re-siting Queer Identities in the Americas
  • Idurre Alonso (Getty Research Institute), Jose Luis Blondet (Los Angeles County of Museum of Art), and Jorge Rivas (Denver Art Museum): Layering Voices: Curatorial Approaches in a Time of Revisions