Untitled Creative Fusions
The Denver Art Museum hosts Untitled: Creative Fusions four times a year. In January, we collaborated with Eileen Roscina and Joshua Ware and many other local creatives for a night of performances, fun activities, and tours that explored the space between the manmade and the natural.
If you missed the January Untitled: Creative Fusion, check out this video to see a recap of the night, and make sure to mark your calendar for the next Untitled: Creative Fusion on April 24.
Untitled Creative Fusions
The first Untitled: Creative Fusion (January 31, 6-10 pm) is sure to be filled with fun and surprises. You'll be able to sample liquid nitrogen popcorn, dance to beats by The Night Shift, collaborate on a floral installation, watch live ice sculpting, and more! See the lineup for the evening.
Untitled Creative Fusions
At every Untitled: Creative Fusions two featured artists collaborate with the Denver Art Museum and other local creatives to develop an evening of fun and surprises. For the January artists, Eileen Roscina Richardson and Joshua Ware, we asked them what they are most excited about related to their theme for the evening of Entanglements.
Read what they had to say below, check out the program of events, and don’t miss the next Untitled: Creative Fusions on January 31.
Eileen Roscina Richardson
Untitled Creative Fusions
We are excited to announce Untitled: Creative Fusions, a newly reimagined version of Untitled presenting a bigger, bolder program at the Denver Art Museum in 2020. Taking place four times a year (one per season), Untitled: Creative Fusions will bring local creatives together to merge their artistic practices with the DAM’s exhibitions and artworks.
Mark Bradford's wall-sized collages and installations and intricately detailed canvases inspire wonder.
Like many artists before her, Jordan Casteel is drawn to Harlem's vibrant street life and arts scene. Casteel's early paintings depicted black men and their relationships with one another. Later, the people and streets of Harlem became the subject of her work. As the artist shifted her gaze to her community at large, a focus on locally owned businesses emerged—the Ethiopian restaurant that she frequents, a shop owned by an acquaintance—which led to more frequent representations of women.
An example of the Eames' effort to design and produce economical household furniture.
The Only Woman Artist in the Berger Collection
As the only woman artist in the Berger Collection, Angelica Kauffman was ahead of her time—way ahead.
Is your school actively engaged in promoting the arts? Do you work for a community center focused on exposing youth and families to new creative experiences and opportunities? Apply here to collaborate with the Denver Art Museum to bring the Art Lives Here/El arte vive aquí program to your site.
Let’s dive a little deeper into the history of one of the photographs in this exhibition: Frank Eugene’s The Cat.
A selection of old favorites and exciting new additions from the Western American Art collection are currently on display in the Hamilton Building. The oldest oil painting in the western American art collection—Charles Bird King’s portrait of Hayne Hadjuhini, the young wife of an Oto chief—was painted in 1822, when many American Indian tribes traveled to Washington, DC to negotiate treaties. In fact, most of the nineteenth-century western paintings now on display were painted on the East Coast.
Studio Paintings
Frederic Remington’s The Cheyenne is considered one of the most important works in the Denver Art Museum's western American art collection. The title, The Cheyenne, gives the tribal affiliation of the rider, but the rest of the narrative has been left to the viewer’s imagination. He could be in pursuit of startled prey, calling back to his fellow hunters to excite fervor for the chase, or perhaps he is the prey, and his head turns slightly to look at his pursuer.