Senga Nengudi's Masked Taping
The photographic triptych Masked Taping documents Nengudi as she creates a work of performance art.
The photographic triptych Masked Taping documents Nengudi as she creates a work of performance art.
The Way the Moon’s in Love with the Dark is a glass chandelier based on historic Venetian styles.
We are delighted to have added two pieces from Shantell Martin: Words and Lines to our collection.
Tras la Primera Guerra Mundial los artistas y diseñadores de América Latina iniciaron un regreso a las tradiciones culturales y visuales locales.
In the 1920s, artists in Latin America initiated a return to local visual cultural traditions, eschewing foreign artistic models.
Our design collection includes 80 posters by the legendary designer and illustrator.
Learn about this painting by one of the most influential Indigenous artists of the 20th century.
A look back at the impacts other pandemics and epidemics have had on world populations and their arts.
Altarpiece, gifted to the Denver Art Museum by Yoko Ono, is considered Keith Haring’s final work, executed weeks before he died of AIDS on February 16, 1990. It serves as a testament to the power of creativity and the artist’s willingness to share his vision even as he was mortally ill. Featuring his signature hieroglyphic figures, this bronze triptych recalls Christian altarpieces as well as devotional shrines dedicated to the deities of world religions. Determined to finish it before he died, Haring rapidly cut the design into clay, which was later cast in bronze.
Editor’s note: The Museo de las Americas (861 Santa Fe Drive) will host Rhythm & Ritual from June 19-October 17, 2020.
Mark Bradford's wall-sized collages and installations and intricately detailed canvases inspire wonder.
Like many artists before her, Jordan Casteel is drawn to Harlem's vibrant street life and arts scene. Casteel's early paintings depicted black men and their relationships with one another. Later, the people and streets of Harlem became the subject of her work. As the artist shifted her gaze to her community at large, a focus on locally owned businesses emerged—the Ethiopian restaurant that she frequents, a shop owned by an acquaintance—which led to more frequent representations of women.