Poster with the words Poppy Gives Thanks and an illustration of a turkey with a red poppy for a head

Posters by Milton Glaser

The Denver Art Museum design collection includes 80 posters by Milton Glaser, the legendary graphic designer and illustrator responsible for the “I ♥ NY” campaign and many other iconic designs. Glaser passed away this year. In his memory, we call out three examples of his work in our collection.

poster with the words Poppy Gives Thanks and an illustration of a turkey with a red poppy flower for a head; there's also a list of performers

Milton Glaser, Poppy Gives Thanks, 1968. Offset lithograph; 37 x 24 in. Denver Art Museum: Gift of Milton Glaser, Inc., 1991.509. © Milton Glaser

Poppy Gives Thanks

Poppy Records was the experimental music label of MGM Records in the late 1960s. This poster advertised an almost free concert (“$2.50 - first come, first served”) held on Thanksgiving Eve at New York’s Carnegie Hall in 1969. The diverse selection of Poppy recording artists included comedian and activist Dick Gregory and the psychedelic ensemble The Mandrake Memorial.

The surreal imagery combines the poppy motif that Milton Glaser created for the recording company and a turkey. It also features Glaser’s signature stencil typeface Neo-Futura—one of the many that he had created during his lengthy career.

An illustration of Mahalia Jackson's face in profile with flowers in her hair

Milton Glaser, Mahalia Jackson, Easter Sunday, Philharmonic Hall, Lincoln Center, 1967. Offset lithograph; 37 3/4 × 28 in. Denver Art Museum Collection: Gift of Milton Glaser, Inc. © Milton Glaser

Mahalia Jackson, Easter Sunday, Philharmonic Hall, Lincoln Center

This vibrantly colored poster by designer Milton Glaser advertises a concert by the late gospel singer, Mahalia Jackson. Glaser’s distinctively custom-designed lettering [Baby Teeth typeface] is positioned on rainbow bands of colors and balanced by a silhouette of Ms. Jackson. Glaser’s work helped express and define the 1960s. The whimsical flowers in Ms. Jackson’s hair would have been a common sight during the late 1960s when the American counterculture movement embraced clothing with vibrant colors and often wore flowers in their hair.

This poster was printed in two versions, one with her facing left and the other right; together the images form a rainbow.

An illustration of a bright green pair floating in the air and cut in half so the top part floats above the bottom part

Milton Glaser, Floating Pear, 1968, printed about 1977. Offset lithograph; 37 × 24 in. Denver Art Museum Collection: Gift of Milton Glaser, Inc. © Milton Glaser

Floating Pear

The power of Milton Glaser’s eye-catching, psychedelic compositions is in their simplicity. Unlike a painting, a poster must be bold, direct, and tell a story in a short length of time. Originally created to promote the Fruit Growers Association, this poster’s visually compelling graphics were inspired by Magritte and are representative of Glaser’s colorful and geometric creations of the 1960s.

This version promotes Glaser’s solo exhibition at the Centre Georges Pompidou in Paris in 1977.