Damien Hirst’s installations are calculated to shock. Party Time, a low, white sculpture in the shape of a gigantic ashtray, contains thousands of actual snuffed-out cigarette butts and prompts questions about smoking and its consequences.
Its artistic predecessor is Marcel Duchamp’s Fountain, a porcelain urinal that the artist signed and submitted to a gallery exhibition; Party Time’s imagery and scale also refer to Claes Oldenburg’s oversized lipstick tubes and clothespins and especially his Giant Fagends, an eight-foot-tall foam sculpture of crushed cigarettes lying on a white plinth.
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