Meet the Artist
It’s hard to miss these two looming figures at the Denver Art Museum. What else not to miss: Its sculptor, Beverly Pepper, was in her 80s when she completed.
CelebrARTE: Vistas on November 16 marks the Denver Art Museum's final installment of the 2014 CelebrARTE season. When we return from our hiatus in January, we will return
The Denver Art Museum exhibition Matisse and Friends showcases 14 extraordinary works of art from the National Gallery of Art in Washington, D.C.
She can be seen climbing around her taller-than-most-of-us sculptures barefoot and pedaling up Tour de France mountains in France.
This summer Native Arts Artist-in-Residence Jeffrey Gibson has been collaborating with members of
This series introduces some of the fiber artists who conduct demonstrations in the Nancy Lake Benson Thread Studio.
Spinner and textile artist Paula Veschore can find a project in anything. “Everything to me is an art project whether it’s weaving, gardening, or a bucket of rusty horse shoes,” she said.
Imagine viewing a painting without actually seeing it.
Imagine landscapes, portraits, and scenes that you can see through touch and feel.
The Denver Art Museum is brimming with new exhibitions this summer.
This summer the Denver Art Museum will showcase the work of artist Tom Wesselmann, who is best known for his role in the development of pop art in the 1960s.
Note: Check out summer activities at the Denver Art Museum to inspire you and your family and use the hashtag #FunAtTheDAM to show off your creations.
American artist Helen Frankenthaler recalled her years in the New York art scene of the 1940s and 50s: “I was influenced by both Jackson Pollock and Willem de Koonin
Frida Kahlo painted her life story in 55 small but powerful self-portraits, like Self-Portrait with Monkey, 1938, on view in Modern Masters:
The DAM is publishing a blog series that will highlight some of the artists whose work is in Modern Masters: 20th Century Icons from the Albright-Knox Art Gallery.
For Wassily Kandinsky, music and color were inextricably tied to one another. So clear was this relationship that Kandinsky associated each note with an exact hue.